High Society review: What a swellegant, elegant, musical this is!
Published on 3 June 2026
British springtime is an unreliable thing, one week you’re panic buying cornettos, the next you’re knee deep in puddles. While we’re never quite sure what the weather outside will be like, we now know where you will feel guaranteed sunshine and warmth: High Society at the Barbican. I never thought I was a fan of golden age musicals, but this production has proved me wrong - it is a pure joy-filled experience, which left a goofy smile on my face throughout.
If you’ve seen the iconic film starring Grace Kelly and Frank Sinatra then you’ll know the story, but if you haven’t (firstly, why not? It’s been 70 years) let us fill you in.
The musical follows socialite Tracy Lord (Helen George) as she prepares to marry the very respectable (and very dull) George Kittredge (David Seadon-Young). The only problem? Her charming ex-husband Dexter Haven (Julian Ovenden) is back on the scene, and he’s brought with him a pair of journalists; Mike (Freddie Fox) and Liz (Carly Mercedes Dyer). The wedding crashers threaten to upend the ceremony, and Tracy surprises herself by wondering if that wouldn’t be such a bad thing after all.
The champagne soaked evening is a riot, with one liners so dry they should be served in a martini glass. Freddie Fox makes his musical theatre debut as journalist, and "author of one book”, Mike. He is goofy, charming and utterly loveable in the role, a far cry from the arrogant and sleazy characters he usually plays on TV. He can really sing too! His numbers, notably his duets with Carly Mercedes Dyer and Julian Ovenden, are packed with humour and heart. He has a twinkle in his eye, and it’s easy to see why Tracy may be swayed.
Another stand-out is Julian Ovenden’s Dexter, the piano-playing past lover. He oozes charisma, and is magnetic in the role. His rendition of “I Love You, Samantha” is heartbreaking and sincere, a quiet and tender moment amongst the dance numbers and opulence.
Helen George, who recently wowed as Anna in The King and I, is equally impressive in Cole Porter’s screwball comedy. She seamlessly switches from vulnerable to silly, heartbroken to smitten, all the while belting out numbers and dancing across the wide Barbican stage. It’s another tour de force performance!
The set, designed by Tom Rogers, and costumes, designed by are honorary characters in this 28 strong cast. They’re rich, vibrant, decadent and full of Golden Age glamour. It’s a delight to watch.
A mention must be given to the full size orchestra who bring Cole Porter's much loved songs to life. The musicians treat us to an extensive overture before each act begins, an indulgent treat as fine as any canopee the Lord’s are serving.
Overall I was a very happy wedding guest indeed. What a swellegant, elegant, musical this is!
High Society plays at the Barbican until 11 July 2026
